Comparative Studies of Two Major Sets of Tibetan Medical Paintings: A Historical Perspective
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Perspective|Updated:2021-08-27
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Comparative Studies of Two Major Sets of Tibetan Medical Paintings: A Historical Perspective
Comparative Studies of Two Major Sets of Tibetan Medical Paintings: A Historical Perspective
Chinese Journal of Integrative Medicine2019年25卷第11期 页码:803-811
Affiliations:
China Institute for History of Medicine and Medical Literature, China Academy of Chinese Medical Sciences, Beijing (100700), China
Author bio:
Correspondence to: Dr. ZHEN Yan, Tel: 86-10-64089116, E-mail: 158136474@qq.com
[
"Prof. CAI Jing-feng"
]
Funds:
the Chinese Fund for the Humanities and Social Sciences(11WZS004);the Fundamental Research Funds for Central Public Welfare Research Institutions of China Academy of Chinese Medical Sciences(ZZ110509;ZZ130513)
Yan ZHEN, Jing-feng CAI. Comparative Studies of Two Major Sets of Tibetan Medical Paintings: A Historical Perspective[J]. Chinese Journal of Integrative Medicine, 2019,25(11):803-811.
Yan ZHEN, Jing-feng CAI. Comparative Studies of Two Major Sets of Tibetan Medical Paintings: A Historical Perspective[J]. Chinese Journal of Integrative Medicine, 2019,25(11):803-811.
Yan ZHEN, Jing-feng CAI. Comparative Studies of Two Major Sets of Tibetan Medical Paintings: A Historical Perspective[J]. Chinese Journal of Integrative Medicine, 2019,25(11):803-811. DOI: 10.1007/s11655-019-3163-y.
Yan ZHEN, Jing-feng CAI. Comparative Studies of Two Major Sets of Tibetan Medical Paintings: A Historical Perspective[J]. Chinese Journal of Integrative Medicine, 2019,25(11):803-811. DOI: 10.1007/s11655-019-3163-y.
Comparative Studies of Two Major Sets of Tibetan Medical Paintings: A Historical Perspective
摘要
Abstract
Tibetan medicine
one of the time-honored medical systems in the world
has increasingly been receiving attention the world over. Tibetan medical paintings (TMP
tib. Sman thang
) has become one of the focal points in the studies of this medical system. To date
there are many atlases and publications on TMP
which are principally based on the two major sets of TMP series existing today in the world
the Lhasa set and the Buryat set. It has been found that the Buryat set is based on the Lhasa set
which was brought in late 19th to the first half of the 20th century from Tibet to Buryatia
Russia. A careful investigation on the basic structure of the two sets reveals that there are many differences between the two sets of paintings
including the total number of the paintings involved
of which some are missing in one set
the details of the captions of some of the paintings
the existence of the 80th painting and its supervisor
and the overall order of the entire set
etc. The details of the differences are elaborated and discussed
and the prospective of developing the research to arrive at a standard and perfect TMP set in the future is also analyzed and anticipated.